a long time in the making quare groove vol. 1 sounds of the irish musical underground from the 70s & 80s. spread across 2 12inches with extensive liner notes on printed inner sleeves. re-mastered with care by shawn at optimum.

on this new split ep, we welcome two knights of the european electro scene. on the a side, the irish man defekt, who already released several bombs on earwiggle, solar one music or newflesh. on the b side, the french killer maelstrom, who shows us his darkest face here, after some strong releases on raar, zone or cititrax. one ep, two buddies, four heavy tracks for the bangers.

zone look to irish artist and esteemed electro producer defekt aka matthew flanagan for their next ep. over the years this artist has become synonymous with proper techno and electro. his hardware based sound has won him fans all over the world and chief amongst those records is the 2010 mini album he released and which got hammered by legends like dave clarke. working on combat recordings, signal code and electronic explorations amongst others, his rugged drum sounds and modular synth style is textured and real and for that reason always stands out.

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

initial programs is a new project by respected ambient producer mick chillage. it is also micks first ever vinyl release and sees the irish artist focus on deep, acid-tinged techno and melodic electro. the background to the release is a simple one, first cut boss richard be was a long admirer of mick’s music and discovered an electro project he did as the shape. over the course of emails, pints and coffees, the music for initial programs first record came together. the resulting three tracks are melancholic, late night jams, the soundtrack to high speed cruises on the streets of south dublin.

the immense popular debut album by the corrs is available on vinyl for the first time ever!
forgiven, not forgotten is the debut album by the corrs. the album was primarily produced by david foster, with additional production by jim corr. it became internationally popular, but nowhere more so than their homeland, where the lp’s four-times-platinum status made it one of the most popular debuts by an irish group.
pressing on 180 gram audiophile vinyl.

on this split ep, two-heads project minimum syndicat is back again with its own special brand of hard acid music, mixing authentic rave influences and modern industrialish techno to reach this state of dark euphoria who became its trademark. this time, their guest is the famous irish producer sunil sharpe, another figure not known to make any compromise... he delivers two severe cuts of techno and electro full of raw energy, with a sinister vibe reflecting the dirty clubs and warehouses where this music is supposed to be played.

moscow based multi-talent impish presents the hush lp, his latest album project that will be released through all quality physical electronic music outlets around the world october 20. working through labels such as program, c.i.a. and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work. from effortlessly rolling tracks such as can’t feel and shadows towards more introspective vibes on changing colours and the lp’s title track a common thread runs clearly throughout the album: the aim for perfection, true craftsmanship and a drive to combine to high-quality beats and breaks with musical elements. to aid the budding artist in spreading his ethos uk based female vocalist kate wild and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

little movies are morgan buckled buckley and ben soft-shoe donohue. dueling hot analog swords over snowy modular fjords improvised cv chitchat. pre-post boiled egg heads & soldering irons. recorded on irish pastures in a single day, stitched together somewhere between kimmage and galway-very-west. live score to a silent 1920s lawn mower man. mastered by the bastard. limited as a mthfkka.

tr one return with 4 very different tracks recorded in one take at their studio in the irish southeast. a month has passed uses a dubbed out aesthetic merging influences from uk bass and detroit using shimmering melodic progression. the boutique of never ending dreams works towards a synth laden dreamlike peak. the printer duly merges playful chicago drums with an organic chord structure to create a head nodding funk. finishing the ep is road to the sea , a pensive sway of dubby sonics masked in a fog of reverb. tr one are an established name in the irish electronic music community and are known for their energetic and engaging performances as djs. they have received critical acclaim for the raw soulful productions from their studio in hometown carlow, ireland. they have gained respect for their ability to deftly move between the lines of genres with a strong sense of adventure and connection with detroit/chicago/dublin machine soul. from this they have released music on lunar disko, apartment and fine art recordings, with the strains of the us midwest never far from sonic influence. they have worked in a range of styles from old movie soundtrack disco with new jackson to punishing techno sharing wax space with the phantom planet outlaws.

for their sophomore v/a, brooklyns super tuff records dig into the batter s box and unveil a roster packed with varsity-tier heat. at the top of the lineup, we have the tsuba-famed slugger luvless, delivering some powerful piano house with his anthemic vary in colour. rounding out the a2 are the fresh-faced, irish lads long island sound with the soul-sampling i chose you because. batting clean-up, tommy vicari jnr puts one far into the outfield with pacific stri-ia heartbreaking tribal house track that s as funky as mateo & matos and as wonky as animal collective. for the final run, parisian duo mara lakour tap into a pure, blissful piece of deep house with akoa (tribal edit).

niall mannion aka mano le tough is set to release his first record on pampa entitled ahsure. the 3 track ep sees the irish producer showcase his unique ability to combine dance floor rhythms with visceral vocal based songs. the result of which is a piece of work that will find a comfortable home in a variety of settings. while this method has become the hallmark of manos discography, ahsure feels like some of his most honest and accomplished work to date.

moscow based multi-talent impish presents the hush lp, his latest album project that will be released through all quality physical electronic music outlets around the world october 20. working through labels such as program, c.i.a. and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work. from effortlessly rolling tracks such as can’t feel and shadows towards more introspective vibes on changing colours and the lp’s title track a common thread runs clearly throughout the album: the aim for perfection, true craftmanship and a drive to combine to high-quality beats and breaks with musical elements. to aid the budding artist in spreading his ethos uk based female vocalist kate wild and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

this autumn, wah wah 45s are very proud to present their latest signing, an outfit who ve garnered huge praise from jools holland, are darlings of the guardian s music reviews pages, and have set festivals alight up and down the country with their unique melange of sounds. for a good few years, honeyfeet has been a conduit for the ideas and expressions of an exotic mixture of manchester based musicians. jazz? yes, some of that! folk? stick that in there! hip-hop? i thought you d never ask! someone once called it folk-hop and barrelhouse-pop, and that s just vague enough to make sense. it helps that they are fronted by ríoghnach connolly, real world s newest signing and -a remarkable singer and flautist who can ease from irish traditional influences to soul- (the guardian). this extraordinary band s debut single for wah wah 45s, sinner, was originally affectionately known as boingy squelch, after the unconventional sounds trombonist biff roxby used in his early demos. ríoghnach conveys the story of a woman who never intends on staying at home -chained to the sink- - -i may be a sinner, but i m not a slave-. in that way, the song is a rejection of outdated, traditional roles. since their previous album, 2013 s it s a good job i love you, keyboardist john ellis jumped on board as full-time member, bringing his unique musical presence. this enabled the development of a more texturally adventurous style, as witnessed with the dual atonal solo between himself and guitarist ellis davies on sinner. similarly, for their next lp, orange whip, engineer, bassist and spiritual guide lorien edwards makes his honeyfeet recording debut, so completing the -kitchen- of this very special band. sinner is released on limited 7- vinyl (100 copies only!) on october 20th and comes complete with a woozy, low slung club-friendly mix from former innocent sorcerer, polish dj and producer envee. the album, orange whip, will be released on wah wah 45s in the summer of 2018.

multi-faceted irish musician david kitt aka new jackson returns to permanent vacation in full force, riding high from releasing his critically acclaimed debut album from night to night, which was filled with rich melodies, dusty synth pop, late-night boogie and cinematic deep house. for his third pv ep, new jackson tightens the strings and brings back the bounce with two rather floor-friendly tracks that are still deeply rooted in the unique new jackson universe. to round things up feather by feather is a love-trenched early morning anthem, which is the perfect soundtrack for doing all things that are nice in this world.

from the irish techno front line , rlsd land again with a heavy batch of dancefloor pressure. jon hussey has been one of the islands most celebrated djs for the best part of 20 years and makes his long overdue debut as a solo artist with dark motif. his deep understanding of the music is on display as he delivers an immersive techno cut with acidic touches & crisp bleep techno character. takaaki itoh steamlines the ideas into a pilerdriver suited for the peak hours. on the flip fran hartnett grinds out a typically floor burning track loaded with his trademark poly-rhythms and modular bleeps. rory st john rounds of proceedings with an ever shifting rhythmic workout which has an off-kilter sensibility guaranteed to make more adventurous floors freak.

moscow based multi-talent impish has been steadily honing his skills working through labels such as program, c.i.a. and his own fast rising occulti music imprint. it’s that last label that saw him release the critically acclaimed “silence” lp back in 2016. fast forward to the autumn of 2017 and a new album project the “hush” lp is set for release through all quality physical electronic music outlets around the world. being the perfectionist that he is, impish continues to impress working on crystal clear music productions where impeccable drum work is combined with organic touches and progressions.
the second “hush” lp sampler features three cuts of the album. first up the well respected irish drum & bass producer zero t takes up remix duties for “solid”, turning the stripped back original stepper into a wavey hard hitter with the remixer’s sound plastered all over. continuing with “let me” featuring uk based vocalist kate wild things heat up quickly where soaring bass sounds complimented by soulful vocals and tech-like stabs make for an intense drum & bass experience. last but not least we find the original mix for “solid” featuring fellow moscow based vocalist julia marks. it’s an easy listening, thoughtful piece of drum & bass with driving beats for the dance floor but harmonies for the mind and soul.

the label from japan “florklang” has started up in 2016. now florklang is releasing the second vinyl by producer tk lawrence from brooklyn who debut from irish cavalier and played actively in dub pistols. the records include “they all float down here” that he expressed the influence of horror-core into creepy organ sound. also you could hear everywhere the taste of hip-hop and jazz from “tribute to where we come from” and “rap dinosaurs” in side b. the record includes 4 other various tracks that you could feel the new york abundant scene where he brought up. further more each track based on akai s950 and analogue machines when it has created.

all djs and producers around have at least one secret weapon to play. this series curated by marvin & guy is the equation that joins together very special edits from very special artists. it will be out in three volumes in different colours: first black, second grey and third white.
the equation series are being released exclusively on vinyl, a limited edition of 300 copies, no digital formats will be released, and distributed by kompakt. with equation 3 the a-team is back once again and they have changed players for this third and last half. this time they bring along the madrileño who mixes movie trailers as well as house classics, the frenchie living in the big apple who once started his career rocking the piano at the conservatory, the german who makes compilations of weirdo 80ies jams in his spare time and the irish guy living in the land of the round butts nowadays, but once ruled the nyc disco scene fully on his own.

ote step it up a notch once more with their third release. irish producers mix & fairbanks deliver a dancefloor bomb, while label mainstay jimmy rouge dips his toes in afro acid.

the second release from producer eomac’s new dublin-based label eotrax comes from nomadic irish producer lair. this is an exciting step for the label, moving away from the dancefloor into more diverse, eclectic territory. lair is a producer far from the norm, especially for those releasing on an electronic music label. she classifies herself as a composer, producer, vocalist, artist, sound-healer and yoga teacher. with a diverse background that includes singing classical and traditional material shes expanded her artistic approach into a diverse web-like multi-disciplinarian approach in keeping with her nomadic life. currently she creates electronic music, contemporary classical music and healing music under a variety of alias including laura kilty and luminousounds (for healing music). she is also in the duo noeverything with eomac. in her words my lair music is how i see the world - this one and others channeled - expressed through layers of my vocals which i shape electronically. the music has elements of mysticism, sacred geometry, energy, sound with intention and just sounds i love formed to make music i love. i see music as i create it. i work with lots of layers - for me its like creating an aural representation of the image i see. these layers of sound can be found in her debut self-titled ep in the deep, ritualistic drones of invoke and meld on the a-side, and the more concise rhythmical patterns of searching in circles on the flip.

multi culti s lucid-lifestyle dreamer peter power takes us on a free-wheeling trip to the motherland on afro damba. the irish-born voodoohop resident has returned from the jungles of bahia with a fresh ep of primal party tracks sampling voices and rhythms from across africa and it s neighbouring islands, producing what is easily his most club-oriented work to date. whereas his tracks for voodoohop were spiritual flute-heart-openers, these are neo-pagan mating-ritual floor-fillers. the rhythm is set to tribal chug, with rollicking percussion, reverb-soaked vocals, and all the fun jangly bells & bits you expect to be hanging off such a well-traveled producer. if that weren t enough, we enlisted romanian-dance-duo khidja to rework adama waro resident mix-lord dreems also weighs in with a subtle remix of dansakoni, gently upping the tempo and tweaking the knobs in selfless service of the original groove.

nice price deal !!! early support by ashley beedle, danny howells, laurent garnier ...
>transist< is the closing track from corrugated tunnels critically-acclaimed third album >minor obsessions<, released on process recordings late last year. it will now be released as the third single from the album, with remixes by two prominent irish dj/producers.
first up is minimise label founder and owner donnacha costello, delivering a completely reworked track that transcends genres from techno to deep house. chymera, who has been very prolific in 2010 with releases on prestigious labels such as cocoon and connaisseur, stays closer to the original but moves it more into dancefloor territory.

rising irish act talos delivers his debut album - 13 tracks of beautiful, atmospheric electronic pop. includes the singles ‘your love is an island’, ‘odyssey’ and ‘in time’ - first time on vinyl! mastered by john davis at metropolis. limited pressing, hi-gloss finish, includes 12”x12” insert and mp3 download code.

london-based producer, turntablist and artist touchy subject (numbers, astrophonica, medallion sound) unites dancefloor energy, technical wizardry and dub reggae movements on a 4 track release for irish imprint rua sound. the skyward ep draws on high speed riddims, junglist bloodlines, crunchy glitch and grinding low end pressure to deliver a fresh, creative 12inch full of tantalizing detail. support form fracture, sam binga, tmsv, moresounds, sam binga, itoa, jon1st, etch.

loft records returns after a fruitful year to kick-start 2017 with three infectious cuts from rising irish talent hammer. the belfast-born producer is well known for his lauded releases on feel my bicep (in collaboration with the label founders) as well as optimo music but production isn t his only facet. hammer has shared dj booths with the likes of hunee, sasha, midland, craig richards and nd_baumecker, whether at his residency at sub club or at his many gigs throughout europe. with loft recordings reflecting on a prosperous 2016, including a class two track release from isaac tichauer, followed by a chart topping remix package featuring hackman, dorsia, lancelot and bicep, hammer s innovative contribution to the imprint looks to follow suit. soaring pads and intricate drums form the overall aesthetic of canna but as the track progresses serene melodies and subtle snare rolls come together to form a harmonious eruption of synths. manaka then shifts to syncopated percussion and spectral nuances before man ray delivers distorted atmospherics and twisted chord sequences to conclude the package.

inaugurating 2016 with lee holman’s debut ‘one man army’ on raw waxes, the italian imprint welcomes the new year with a series of remixes of the irish producer’s release of last may, which feature four benchmarks of contemporary techno: cassegrain, distant echoes, haiku and kimyon. the record is out on 12” vinyl format. it comes on black vinyl with an additional hand numbered paper insert realized by german illustrator benedikt rugar, who also designed the illustrations of lee holman’s ‘one man army’, the drawing is a continuation of that release’ visual abstract porn concept.

the latest instalment of afro-disco bullets from dublin s ote, this time featuring irish producers r. kitt and cove edits. the first ep sold out in just 24 hours with heavyweight support from the likes of hunee and mcde, so don t hold back. guaranteed dancefloor delight.

formed in late 2014, berlin-based irish/australian duo evvol released their debut album ‘eternalism’ via !k7 records in the summer of 2015. following european live runs with peaches and yacht and worn out by the immediacy of preset-sound achieved through popular computer music programs, the pair holed up in their kreuzberg studio to write their wonderfully atmospheric and deeply personal ‘physical l.u.v’ ep. released last year to critical acclaim, it’s title track has now been given the deluxe remix treatment it deserves, with new cuts from two dutch artists at the top of their game. panorama bar’s first lady and ostgut records mainstay steffi kicks things off with a unique, downbeat interpretation of the original, showcasing the beautifully melodic and captivating style that has cemented her status in the realms of contemporary electronic music. next up her fellow klakson records honcho ramps things up with his own audacious take on the track. dexter’s first brush with the electronic music world was on the dancefloor as part of a breakdance crew. back then he learnt the power of rhythm and how to move a floor, going on to release on clone, rush house and ostgut himself, producing everything from pioneering electro to deeper house and raw techno.

"all djs and producers around have at least one secret weapon to play. this series curated by marvin & guy is the equation that joins together very special edits from very special artists. it will be out in three volumes in different colours: first black, second grey and third white. the equation series are being released exclusively on vinyl, a limited edition of 300 copies; no digital formats will be released, and distributed by kompakt. with equation 2 the a-team is back and they have changed players for this second half. this time they bring along the mexican outlaw hippie, a danish who learnt how to build beats better than lego, as well as the only irish keener on music than in beer. and the last player is a man who abandoned the euro dance hits of the 90’s to play basketball in peru."

second chapter in the af voiceless series. the label run by pervert keeps on broadening its own catalogue by adding artists committed to the underground electronic cause. this ep is a 5-track new voyage through analogue-crafted soundscapes, acid-injected breaks, thudding bass lines, warm and intricate melodies...the sheerest voice for the voiceless. af005y introduces new members to the family as houston-based daed (ian lambert), who displays his ability to create a perfect acid-glitched called pulse lunar . thus, smiley moon is above all a glimpse into the analogue world of the well-known rolando simmons, proving himself he s one of the brightest electronic artists of the moment. sheffield based dave forrester (techdiff) twists the modular in jamuary with a killer aphexian/jenkinson temper. longing raving days are depicted in quest with an evocative electro halo by the hand of the irish producer cignol. last but not least, smoke , an acid junglist and braindance orgy signed by gareth clarke, known for his previous works on canada s sublight records (venetian snares, bill laswell) and lovelove records. limited and handnumbered as usual.

after a run of new signings in 2016 - aus music kick of 2017 with something a little bit different. to inaugurate the new year they welcome in catz n dogz for three separate interpretations of classic records from the aus music archives. cherry picked from the vast back catalogue are tracks from bicep, geeeman and george fitzgerald all of which are given a rough, smoke treatment from the pets recordings owners. kicking things off is the remix of geemans wanna go bang he title track from his punchy 12-inch from 2015 that now sees a driving and percussive reworking. bicep the game is next in line a track from the irish duos first solo outing on aus back in 2013. soft, overlapping chords are propelled by snapping drums and multiple melodic lines that build an allaying palette the remix of george fitzgeralds hindsight then caps things off as more frazzled drums propel a stuttering vocal line and a warped synth pattern. continuing to keep things fresh - aus look ahead to another year of new signings and surprises and kick off here with a reminder of the solid foundation that has come before it

idle hands is proud to present our first 12” of 2017 from lerosa, a four-tracker beamed across the irish sea to bristol. the ‘subcouture’ ep sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies bristol is known for, whilst retaining an agile and sleek simplicity. ‘maryelen’ is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming. ‘line bass’ is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix. ‘scruffy’ takes on a slower and more playful mood, featuring light licks of acid and off kilter keys. ‘subcouture’ is a subtle dubbed out house cut with a hint of shuffle.

irish producer leonid is welcomed on board of the itdr spaceship for their second installment. after putting out impressive releases on sistrum and dolly (to name a few), paul smith comes up with a stellar 4 tracks ep cut for clubs dancefloors. landing deep in planet x analogic territories, you will find leonid distinctive acid grooves fused in heavy basslines with amazing percussion work for a mystic journey across nibiru s galaxy.

gina navarro calabrese was a detective of the miami metro-dade police department and an undercover detective in the organized crime bureau, vice division, in the 1980s.

having opened feel my bicep up for the first time with their previous 12” from new zealand duo sandboards, bicep now welcome another new signing into the fold in the form of brassica. in an extension of a bond established on a civil music record released back in may of 2016 which saw bicep remix tears i cant afford brassica presents his time tunnel ep, a rich and varied 4-track record spanning acid, breaks and balmy house music. also included in the package is an edit from the sphinx and a remix from mysterious hardware fiend roy of the ravers who follows up 12inches on acid waxa and the centrifuge with a tough, tumbling take on the title track that caps off another solid addition to the irish dou s evolving imprint.

sentinelas is the first album release on rudimentary records. produced and conceived by irish producer mick “t-woc” donohoe the album is the result of a trip donohoe took to brazil in 2014. built off samples from records bought in a dusty sao paulo warehouse, sentinelas is the unintentional soundtrack to a 1970s brazilian educational comic book, fusing together hip-hop, electronic music, and dub to tell a strange-but-true story of discovery, antibodies, and cockroach shit dust.

anarchy in the house of sagesse is a head first lunge through the shadows of the dance-floor. it s the distant echoes of a wild hells angels lsd party. wayward hallucinations from deep within the crypt. battery acid techno cooked on melted tape reels. the sounds of collective euphoria broadcast from deep within the serbian warehouse. a debut record from a fresh irish hell raiser

bicep line up a landmark 12” on feel my bicep as they follow up a series of self-released originals, remixes and collaborations with their first signing to the imprint. an exciting discovery from a small student town, dunedin in new zealand - tomas krammer and eden burns a.k.a sandboards. the young duo present their ‘visa’ ep, a balmy and energetic 3-tracker that comes inclusive of a remix from london producer and previous fmb mix contributor shinra. 80’s-tinged synth lines, crisp drums and stirring melodicism colour a release that both slots in and adds facets to the feel my bicep, as the irish duo continue in their vein of their blog in providing a platform for auspicious producers and djs to rise.

irish lossless darling neil flynn with his second shout. knowing neil for a long time, it is great to see his evolution. contemprorary house with a little goth touch, backed by a rework of everybody’s darling trikk… massive pack! kristian

the irish artist diarmaid o meara, fresh on the release of his ‘in your head’ album, joins the teja collective with an eclectic and pulsating ep ‘take over’. with four tracks of driving techno taking form in the melodic intelligence of ‘dreams’ to the full bass heavy dancefloor shuddering noise of industry, this ep covers some of the best o meara has to offer, on a beautiful marbled green 12.

the second release on izu recordings with two rugged & raw gems by irish man john daly.

irish techno imprint and podcast series line up mysterious artist pineal navigation for their 3rd 12-. four stomping techno tracks made with the dance-floor in mind.

irish-born south-london vocalist samuel returns to big dada with the new ep luv cry - four tracks of rnb tinged electronica, produced by kwes (warp) and with additional production by ozkharp (hyperdub) and lockah (donky pitch). the 10 inch vinyl release includes a download code.

drawing on a rich well of influences from sufi and shamanic african trance music, irish and eastern european folk music, to steve reich and philip glass and more contemporary electronica influences, their music is built around deceptively simple sounding ideas that are lent power through the use of repetition and rhythmic loops. they have been compared to both portico quartet and gogo penguin for the way in which they navigate the choppy waters between contemporary dance music and jazz.

in knots - the debut release by new irish producer manzana kicks, which has already gained club love from dixon, terrence parker, tim sweeney, severino, richard norris, medlar and mister saturday night. featuring remixes from legendary chicago producer mr fingers & jd twitch from glasgow institution optimo, in knots comes in the form of a 5 track ep featuring 2 originals, 3 mixes . limited to 200 12 inch

the return of faetch - four tracks of real 2016 techno earwiggle is the irish techno label from sunil sharpe following the earth-shifting faetch 1, which was played by practically every techno dj worth their salt, tibetan entity faetch returns for the next part in the ongoing saga. sturdy, rolling drums and fiery vocal bursts on jeidge signal early chaos on the a-side, moving onto the pure techno funk of wershif - a definite ear wiggler if ever we heard one. on the b-side faecel is tense, more heads-down fare, not at all dissimilar to cari lekebusch s classic early drumcode material. closing the ep is cargoe , where jittery broken rhythms ricochet off rave stabs and echoed vocals & sound fx. another crucial faetch four-tracker here, for fans of inventive dancefloor techno.

raw waxes sixth release -one man army- features irish techno artist lee holman offering a four tracker obsessive pack without compromises. the record is the second installment of a new series of vinyl releases displaying german illustrator benedikt rugar as artwork designer. the record comes in a transparent sleeve with an additional non-credited insert by rugar representing the imagery of a -techno ants- marching army going to war against man.

aïsha devi s of matter and spirit lp encapsulated the spiritual metamorphosis and transcendental journeys of this other-worldly figure. of matter and spirit remixes offers a series of new perspectives on the sonic wonders hidden within. irish duo lakker’s take on anatomy of light adds a heavy dose of syncopated percussion. recent ninja tune signing throwing shade transforms kim & the wheel of life into an introspective session. the remix ep boasts two reworks of mazdâ . berlin s mind:body:fitness interprets the track as a whirlpool of trance, and the spooky killing sound version features mc/vocalists rafael shafique and bogues. the collection enhances and twists the ethereal beauty within of matter and spirit and leads this singular, meditative artist straight into the ritualism of the dancefloor